TV and Radio

Interview on BBC Radio Sussex with Kathy Caton about Ethel Smyth's The Wreckers with Glyndebourne

Interview on BBC Radio 3 In Tune for the premiere of Pay the Piper with Glyndebourne Youth Opera. Also featuring 'How Do I Love Thee' from the song cycle From the River

Interview on BBC Radio 3 for Adopt A Composer

Interview on Before the Bar Opens podcast with Emma Clarke 

Feature in US TV Documentary Turning Point with Streetwise Opera

Research Profile and Current Residencies

Feature on the RNCM PRiSM Doctoral Research website. (2019-23)




Anna Appleby’s music gains a jaunty, jolly appeal... ★★★


Tin Man with Joss Arnott Dance - The Reviews Hub (June 2022)



...the score flows seamlessly while allowing the musical personalities to shine. ★★★★

Pay the Piper with Glyndebourne Youth Opera - The Stage (Feb 2022)

The music is played by Psappha and although at time is complex and modern there is an underlying sense of a folk tradition. And the music is wonderful as is the libretto which is accessible and at all times sung with clarity, negating the need for the surtitles.

What soon came to mind was that this new work has real potential to be seen and heard again and again... ★★★★★


Pay the Piper with Glyndebourne Youth Opera - Latest Brighton (Feb 2022)



The Piper’s story, together with the framing passages, the interludes and the opening and closing music, was composed by Anna Appleby.  Bold yet hintingly plaintive motifs introduce The Piper...


Pay the Piper with Glyndebourne Youth Opera - Mark Aspen (Feb 2022) 



Anna Appleby‘s 5-minute solo saxophone piece 13.8 Billion Years began as a soaring melody, before exploding into florid life peppered with key-clicks (which, for once, didn’t seem like an overused effect) and sharp multiphonic colourations. Amy Green’s performance of the piece was fantastic: beautifully controlled through the opening, and genuinely mesmerising as the work developed, coming across like a snake charmer. Though both the title and the premise of the piece were (deliberately?) preposterous, it didn’t matter; I interpreted it that the previous 13.8 billion years had all been leading up to this particular moment – a wait that felt totally worth it.


HCMF Shorts - 5 against 4 (Nov 2021)



Another of the gems in this collection has to be ‘Funreality’ by Anna Appleby...


The Fairlight Book of Short Stories - Jacci Gooding for TSS Publishing (Apr 2021)



Anna Appleby’s 13.8 Billion Years was performed by saxophonist Amy Green. Inspired by ‘the formation of the universe, through clouds of matter to galaxies, to stars, planets and, eventually, life,’ Appleby explores the universe of soprano saxophone technique in an accessible work with a rhythmically inventive central section that shows her affinity with dance. Green’s outstanding breath control and perfectly placed multiphonics revealed this piece to be an excellent addition to the repertoire of adventurous saxophonists.


Riot Ensemble Zeitgeist Commissions - I Care If You Listen (Nov 2020)



The song cycle... was commissioned by @glyndebourne and shows Anna's dramatic flair even with the small forces involved.


Anna's work also reaches far outside the realms of the concert hall, as in this dreamy electronic work for dance, 'Sunken City'.


Anna's 'Sleepwalking' began as a piece for @EnsembleKlang and can offer a short and manageable introduction to contemporary music for young and old players alike, or an opportunity for more advanced performers to find the expressivity in simple musical materials.


Reviews on Twitter by Twenty Piano (April 2020)



But the ones I found most powerful were Lucy Hale’s Kisses, Crosses, Losses, a slow, keening lament that continued the story of the 1914-18 tragedy, Anna Appleby’s Disabled, an unaccompanied setting of Wilfred Owen that formed a pivotal point in the evening, and Grace Evangeline Mason’s Lifted, an interlude of simple innocence that did what the title said, with eloquent melody, as a child describes the joy of solitude and the open freedom of the park. 


The Manchester Peace Song Cycle - Manchester Classical Music (November 2018)



Sounds of the geese and of water were prominent on the tape and to begin with, the three instrumentalists painted little dabs of musical colour over the sounds of the birds. Gradually the trio coalesced playing together in attractive and very poetic sounding music. Towards the end there was a resurgence of the geese and the water. The whole piece was very colourful in its evocation of the northern landscapes or should I say seascapes?


Nordic Viola at sound Festival - Alan Cooper (October 2018)



Dzierzon’s Cue, to music by St Hilda’s graduate Anna Appleby, is an exceptionally strong collaboration between composer and choreographer that began in the earliest stages of musical composition, resulting in a particularly satisfying close-knit work.


Motion and Meaning - Oxford Dance Writers (July 2018)



Tell Me the Truth About Love review – Streetwise Opera's wedding party packs a punch ★★★★


Tell Me the Truth About Love - The Guardian (April 2018)



...the themes of loss, conflict and identity crisis which it highlights are complex and chillingly familiar in the current political climate. The intimacy of the RADA Studios gave composer and librettist Anna Appleby a fantastic space in which to explore these issues with some fresh and gripping writing.


Chamber Opera - Emily RH Wilson (August 2017)



Dane Hurst collaborated with the composer Anna Appleby to create the trio Citizens. The lyrical pyrotechnics of Appleby's sound score cum opera Citizens of Nowhere embraces every moment of this tautly and expressively choreographed piece which abounds with sometimes emphatic yet often conflicted partnerships.


Ignition Dance Festival - Tia Asterope (June 2017)



There was Anna Appleby, late of the Young Sinfonia orchestra, with her staccato and fragmented musical phrasings based upon Le Nozze di Figaro.


Royal Northern Sinfonia - The Chronicle (January 2016)







Press Releases

Opening of Glyndebourne Festival (May 2022)



Tin Man with Joss Arnott Dance (May 2022)



Glyndebourne Youth Opera (November 2021)



Corridor of Light (October 2021)



Riot Ensemble Online Premieres for PRiSM 8 Cubed (July 2021)



Glyndebourne 2022 Commissions (June 2021)



Glyndebourne 2022 Commissions - Oxford Music Faculty Website (June 2021)



Glyndebourne 2022 Commissions - Sussex Express (June 2021)



Fermata Festival - The Strad (May 2021)



Fermata Festival - The Cusp (May 2021)



Riot Ensemble Zeitgeist Commissions - HCMF (June 2020)

Manchester Peace Song Cycle (October 2019)



PhD Collaboration, RNCM Website (September 2019)



PhD Collaboration, Oxford Music Faculty Website (September 2019)



PhD Collaboration, MMU Website (September 2019)



Pop-Up Operas (June 2019)



Sound Festival (February 2019)



Glyndebourne (November 2018)



Glyndebourne, RNCM Website (November 2018)



Glyndebourne, Arts Industry Website (November 2018)



Glyndebourne, Journal of Music Website (November 2018)



Glyndebourne, International Arts Manager Website (November 2018)



Glyndebourne Announcement in Rhinegold (November 2018)



Manchester Peace Song Cycle (November 2018)



Streetwise Opera, Northern Echo (April 2018)



Colchester New Music (February 2018)



RSNO Composers' Hub (October 2017)



RSNO Composers' Hub, RNCM Website (October 2017)



Streetwise Opera's New Production, Newcastle/Gateshead (October 2017)



Adopt a Composer (September 2017)



Rambert River Stage Weekend (August 2017)



Exchange with Dutch National Ballet (December 2016)



Rambert Appointment, The Stage  (October 2016)



Rambert Appointment, One Dance UK (October 2016)



Rambert Appointment, RNCM Website (October 2016)



Streetwise Opera Composition Residency (July 2016)



Streetwise Opera Announcement in Rhinegold (July 2016)





Articles and Blogs

Feature on TIN MAN from the Royal Philharmonic Society magazine, created for RPS Members, Summer 2022

Glyndebourne Blog (February 2022)



Sussex Express - Glyndebourne (January 2022)



Gabriella Di Laccio in Gramophone Magazine (October 2021)



Avi Green on YouTube (March 2021)



Glyndebourne (March 2021)



13.8 Billion Years (November 2020)



Histories and Herstories (June 2020)



Opera For All (May 2020)

Opera News (April 2020)



Ingenium Academy (July 2019)



Edinburgh International Harp Festival (April 2019)



Nordic Viola (Sep 2018)



St Hilda's College, Oxford (July 2018)



Streetwise Opera (2016-18)



Adopt A Composer (2017/18)



Streetwise Opera, Chronicle Live (April 2018)



Rambert (2016/17)



Streetwise Opera preview by Robert Beale (April 2017)



BBC Radio 3 in the Telegraph (March 2015)



BBC Radio 3 in the Independent (January 2015)

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Website © Anna Appleby 2020. Images © Merchant Sinfonia and Alex Gascoine by Ian Watson, choreographer Carolyn Bolton by Roberto Cinconze, Citizens of Nowhere (with choreographer Dane Hurst and dancers Liam Giacuzzo, Alice Laidler, Eleanor Stevenson and Zunnur Sazali) by Pari Naderi and Claire Shovelton, Anna Appleby, Lore Lixenberg and Gweneth Ann Rand by Claire Shovelton and designer Sarah Booth, The Sunday Boys by Guðbjörg Ágústsdóttir, conductor Tom Goff by Anna Appleby, Citizens of Nowhere (with Ann Wilkes, Emma Wheeler and Helen Lacey) by Claire Shovelton.